The Palestinian media environment is not conducive to freedom of expression. It is dominated by partisan reporting and undue influence from the Palestinian Authority (PA) and Hamas, in addition to external interference from Israel. Both in the West Bank and Gaza, ruling authorities maintain close control over the content that is produced. The Israeli military is also able to regulate Palestine’s media output by enacting anti-incitement procedures against outspoken journalists.
Results for Tag: Culture
Qatar’s 21st-century media environment has been largely dominated by the growth of al-Jazeera, which consolidated itself as a major international media outlet after securing unrivalled access to war zones in Afghanistan and Iraq. The channel established an English-language service in 2006 as it continued to expand, however its popularity has since begun to wane amid accusations of biased reporting during the 2011 Arab uprisings, and due to the competitive pressure exerted by Saudi Arabia and its own pan-Arab news channel, al-Arabiya.
Egypt’s post-2011 media experience both under elected Islamist President Mohamed Morsi (2012-2013) and even more so after army commander general Abdel Fattah al-Sisi took power in 2013, has been characterized by harsh restrictions upon freedom of expression and a return to a culture of enforced obedience in the print and television industries.
The Qatari poet Muhammad ibn al-Dheeb al-Ajami, a third-year literature student at Cairo University, was arrested on 16 November 2011 in Doha on charges of insulting the Qatari Emir, Sheikh Tamim bin Hamad al-Thani, and for inciting to overthrow the ruling regime. The latter carries a maximum sentence of death. Al-Ajami was originally jailed for life, but the sentence was reduced to 15 years on appeal. However, he was released after receiving a royal pardon from the Emir himself on 15 March 2016.
The issue of national identity in Sudan has become an entrenched part of the debate around politics, war and peace, unity and disintegration. Acknowledging the cultural and ethnic diversity of the country and recognising and respecting other languages, cultures and ethnic groups will be a key factor in achieving lasting peace, and the only guarantee that no single ethnic or cultural group exploits religion and language to their socio-economic advantage.
Hoba Hoba Spirit has attracted an increasing number of young fans. It is now one of the most popular rock acts in Morocco, frequently playing its major festivals. They are often considered a mouthpiece of the rebellious new generation in search of an identity in the face of obscurantism and Islamic radicalism that currently plagues Arab societies.
Mahjoubi Aherdane, a controversial but generally liked figure, is not one man but four: politician, poet-writer, artist-painter and the oldest living icon of Morocco’s Amazigh ethnic group. Aherdane embarked on a military career to “go beyond the tribe, go higher with feet rooted in my culture”, as he put it. He is the symbol of Amazigh culture par excellence, he embodies authenticity in all its dimensions: his clothing, his gestures, his words and his way of life.
In 2000, Sheikha Moza bint Nasser al-Missnad established Qatar Women’s Sport Committee (QWSC). The QWSC’s objective is to improve women’s performance in sports, enhance their participation in various sporting events, sessions and conferences at home and abroad, and improve their administrative and technical capacities.